This article is from WeChat official account:Yingyi Dushe (ID: yingyidushe), author: Panda, from the head of FIG: “postpartum care hospital” stills
If film and television creation is a “mirror city” of the real world, then it can be said that since “Thirty Only” and “Sister Riding the Wind and Waves”, it has already shown its eyebrows.
With the industry background of the “middle-aged actress crisis”, telling reliable female stories on the screen seems to be both a barrier for domestic dramas and a narrative field that needs to be developed urgently.
And this year’s Korean drama, which has a lot of action, recently unveiled a masterpiece with female themes, namely “Postpartum Treatment Institute”.
It’s “big” because the show addresses the various practical problems faced by modern women-which one is more important than family and workplace, how to coordinate self-identity and motherhood, feminine consciousness and maternal consciousness Conflict, was photographed into a social field survey report with quite experimental style.
In the tone of black comedy and light and funny, the plot is advanced, as if the facts of the tense are presented, and they are combined into a daily invisible female parenting wonder. If it is said that “the public sphere is masculine”, then the men in “Postpartum Treatment Institute” are actually reduced to supporting roles in an absolute sense.
Women’s “half-human, half-mother” dilemma
As a netizen said: “It’s hard to be a man, it’s hard to be a woman, it’s even harder to be a mother, and it’s even harder for a professional woman to be a mother.” The heroine of “Postpartum Care Institute” has all the above identities and experiences.
On the day when he was promoted to the youngest director of the company, the 40-year-old