Suitable for the market, the investors feel that the cost is too high, and the big-name star actors feel that the script does not conform to their image, and they will ask for a second revision of the script. Once this happened, the actor’s agent thought that the character image was not enough to absorb the powder and asked to add a plot.
“Some screenwriters will choose to follow the group, some will not. The group scriptwriters and the pre-screenwriter team are not necessarily the same group. In order to meet the various requirements of the director and the star, the group scriptwriters will also modify the script. The director’s card story, the missing, new story may appear to be inconsistent, the final script has not been known after several batches of people have modified.” Li Fang said.
Many domestic dramas have problems of size and size. For example, problems such as high opening and low walking, late ending, and inconsistent behavioral logic of personas. An industry writer Liu Rong concluded that various problems have arisen, such as insufficient capital investment, repeated revisions of the script, short production cycle and insufficient writers.
For example, in the TV series of “Break the Sky”, the “Fighting Horse” is widely sprinkled by the original powder. In the original book, the Doosan strongmen used the “Fighting Wings” over the Da Xueshan. The big scene that should have been flying wildly, in the TV series has become a group of people riding wildly. The original powders are nicknamed, “the martial arts, the horror.”
The strength of warfare is a mystery, the martial arts rate is sloppy, and the special effects are five hairs. The reason is gathered into two words: saving money.
“Break the sky” users screenshot Tucao: fighting gas wings like chicken wings
And other “personality split” type domestic dramas often appear in various urban love, martial arts fairy tales. Creating a failed role always gives a feeling of being a face-to-face set.
For this question, Liu Rong told the Hedgehog Commune about his own experience: once wrote a short play book, the producer invited two directors, one is late, one is short video Operator. In essence, they don’t understand drama creation, they are laymen. After submitting the script, the two directors arbitrarily modified it. They didn’t ask the screenwriter’s opinions. The script that was changed was terrible. The last two or three episodes of the project were put on hold.
“I am writing as a scriptwriter, at least to ensure that the character setting and background of my writing are logical. But this industry is that many laymen think that the screenwriter is very good and the threshold is low. He can change the book himself, no need. Ask you,” she said.
There is also a last case. Due to the requirements of the employer, the project production cycle may be short, resulting in the appearance of “Dream”.
Screenwriter Zhao TingThe actor of the instrument.
The domestic drama series has no market as a reference in the production process, and it is also interfered by capital and other parties. It is difficult for the writer to decide the direction of the drama. The famous writers have the right to speak, and the young writers rely on opportunities. It is not easy to find out their own world by their own works and abilities.
“Young screenwriters still have to be embarrassed, and there will always be masterpieces for a long time.” Liu Rong said that this line looks glamorous and bright, but it is not. The ideal alone is not enough to generate electricity.
“A lot of screenwriters are trying to make money. They don’t care what they sign. They can write and write. After writing the manuscript, the money will go away, how to shoot later, or even shoot it, I can’t Left and right,” she said.
(Note: Li Fang, Zhao Ting, Liu Rong are all pseudonyms at the request of respondents)