“Parasite” is both a victory for Bong Joon and a victory for the entire Korean film industry.
Editor’s note: This article is from WeChat public account “Entertainment Unicorn (ID: yuledujiaoshou), author Mia.
“If you have money, I will be kinder than them. It is not rich and kind, but because of the money, so kind.” “Children of rich families don’t even have wrinkles in their clothes.” “Money is like an iron.” , everything is flattened.“ “Host” Park President, after leaving, finally came to the sunny ground from the dark and damp basement, the Jin family said .
It’s just that the stolen silence didn’t last long. With the arrival of Park’s family in advance, the Jin family fled in the rain: The person who shot was a person, but specially used the perspective lens to compare people. It’s small, but it’s like running away.
This is the most striking scene in the Golden Palm Awards film “Parasite” at the Cannes Film Festival this year一. There are many similar lens languages: the basement window composition that echoes the beginning and the end; two times facing the drunkard peeing in front of the window, the father and son chose for the first time, and the second time they think of class They chose to use stones to smash and use water to pour each other.
This is destined to be a film that looks both likes and dislikes. People who don’t like it think that the description of the opposition between the rich and the poor is deliberate and simple, the humbleness and humiliation of empathy, causing discomfort, and comparing it with the “burning” with similar themes and more narration. The number of scoring increased, “Parasite” dropped from 9.2 points when the watercress opened, to 8.8 points; the likes read in this fable: wrapped in artistic rhythm, the ultimate use of type films