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Who can give a professional “guide”?

Editor’s note: This article is from the WeChat public account “Puffin Video ” (ID: Htysda), the author thinks.

This year’s Mid-Autumn Festival, Li Wei’s fans and Meng Meijun’s fans tore the sneak peek of the heroine of “Zhu Xian 1”; “Little Wishes” is clarified by Peng Yuchang’s public statement. , put the “place of contention” on the table.

On the other hand, “My Mogley Boy” on the TV screen was questioned “strongly holding new people, the protagonist is being crushed”, which is also the previous “Kyushu”, “Xiangmi Shen Shenruru”, etc. The hum of the drama has been encountered, passers-by has long been eccentric.

Although the specific issues of fan debate are different, they are more or less related to the Japanese word of “Fan”. The fans tear it up either “Fan” itself – the order in which the actors appear in the promotional materials and movies; either the title of the protagonist associated with the title, or the role that the protagonist should enjoy. How much is the actual play.

Some people in the industry told the puffer movie archives (id:htysda) that they have only started to really contact the word “Fan” in the past two years, and the participating projects have begun to write the title into the actor contract. This change is accompanied by traffic. The rise of the economy has occurred.

For the recent war of words, the puffer fish “three questions” industry writers, trying to explore what kind of reference can be given at the script level before the follow-up factors participate in the decision-making. After all, no matter how much influence the script has on the distribution of the position, it is the origin of the dispute.

First question: In the double male/double female main drama, how does judge the first protagonist?

• Jia Dongyan (“The First Paratrooper”, “The Legend of the Guns”, “The Warrior City” Screenwriter)

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“The perfect double arrogance” can be said to be a model of the double male main play, but there is no doubt that the small fish is more than the flower, the small fish is absolutely one, the flower is the second. Because when you narrow down the “Big Pride” into the shortest sentence, you will find that the little fish is the perspective of the world, and the flower is a person brought out through the perspective of the little fish.



The double male main drama and the double female main drama are actually like this. Who is the perspective of this story, who is it.

• Xu Su (“The Fifth Space”, “God Dog”, “Fire Blue Blade” Screenwriter)

The story of the general duo, I think the two protagonists are basically evenly matched in the successful works. If one is particularly strong and one is particularly weak, it is only a formal male, and it is rarely successful. However, if it is clear that there are main and auxiliary perspectives, it is easy to distinguish between two and two.

From the perspective of the writer, it is divided by perspective, and then from the perspective of production, it is still a commercial consideration: whoever is the master, who is the male or female, the commercial value of our work can be maximized. reflect.

• Wu Yao (teacher of the Communication University of China, media research scholar, “very rescue”, “Kung Fu mother-in-law”, “fist quartet” screenwriter)

This is not a certain rule. I don’t say which two roles must exist. Who is tall and who is low. For example, “Infernal Affairs” “cat and mouse game”, many good plays are more protagonists such as “Game of Thrones”, the more good writers will write more protagonists. Our world is going to the center, and it is not in line with the logic of life to repeatedly emphasize that centralization is not the case.



The pufferfish video file (id:htysda) focuses on: the role of the double male (female) main drama can be distinguished by the role of the role of the role; such a story has two roles that are difficult to distinguish, this time Business value has become an important watershed for one or two.

Second question: Is there a female lord in the big man’s main drama represented by “Zhu Xian”? How to determine which female character is a female lord?

• Wuyao

I often say that the value of ip is to give fans a platform, a space, and play on it. This is a kind of activity of the fan group. One piece gives you enough reading space, and some people yell at it. It doesn’t matter to the CP, some people, the CP. I don’t think this kind of dispute is a big deal. I also hope that fans can have more and better updated play methods.

• Jia Dongyan

“Zhu Xian” is not a pure male genre, but it is also an unquestioned male drama. In “Zhu Xian”, it will be fine. If an actress has to compete in a kind of horse, who is a woman and who is a person, this is a shameful thing in itself, because there is only an absolute man in this. Like “Yue Yue Chuan” there is only one absolute female lord, and those men are all supporting roles.



There is no need to have a man and a woman in a play. Naturally, all dramas must have male ones and one female ones. It is because everyone naturally defaults that all TV dramas should be written according to love. The proportion of male and female owners in love dramas is almost the same. But in fact, if you don’t have a different kind of play, it’s not a love scene. Why do you have to have a male or female owner?

A few days ago, when our own team created, a child said that there was a problem now, and the woman had no way to appear in the first few episodes. I said, the first one tells you that this character is called a female lord? This character is called a lead character and a character that must be present in this story. Second, who told you that the woman must have the first three episodes to appear? Men or women are not a must-have concept; even if they exist, their debut approach does not necessarily debut in this very traditional way.

• Xu speed

Like Deer Ding Ji, Wei Xiaobao and his seven wives, who is a woman? I think that judging the weight of a character in the play depends first on who has the longest time span in the story; the second who has the greatest amount of drama contradiction; the third person has the most varied curves. So if you want to be in the big manIn the main play, to distinguish the female one, it can still be distinguished.



In the male episode, the female character may not have such a heavy drama, but if she has a strong emotional relationship with the male owner, even if the drama is not as good as the male and the male, I think it can still be said that she is the heroine. Because after all, it has an important emotional relationship with the most core characters, affecting the progress of the story.

The pufferfish video file (id:htysda) is the key point: whether there is a female owner in the big male main drama, it needs to be judged according to the plot of the specific project. But the fact is that not all film and television works have both male and female owners. This is the drama of the audience after they are used to the love drama.

The third question: Why do some dramas be starred in the role of fans, and the protagonist has a low sense of play and supporting roles?

• Little Deer (Master of Film Studies, Communication University of China, many TV series, screenwriters)

I think I have to divide the situation. It may be that the sub-line is not written well. The story of the main line of the scriptwriter can’t be written when writing the script, and then the sub-line characters will be put together. However, the relationship between the secondary line characters and the main line characters is not so close, and the secondary line characters are not interesting and attractive.

Another situation is that male/female one is too expensive. Some actors will stipulate how many hours per day and work hours are short. If you can’t finish it, there is no way for them to reach a lot. The producer has only that much money, he can only do this, the main line will be compressed.

You look at those small screens, but this will not happen. Because the actors are very new and very obedient, everyone has to spell out the works, so he will not have such a request.

• Jia Dongyan

The reason why people say that they are giving men a second play is usually because the time of the male owner is not enough, then the B group is opened, the water is poured, and the male and the male are added to the play. This kind of play is really quite a lot. of.



Any playThe shooting is all about making money. Since this movie is a man who is looking for a man, the man is usually selling money (higher commercial value) than the man. Who will go to the market to sell money, and not to sell money? This is too funny.

The pufferfish video file (id:htysda) focuses on: the script problem and the post-production situation may result in the “supporting role plus play”; it is almost impossible to deliberately suppress the starring and holding a new person, usually due to limited time of starring Only led to the mainline story being compressed.

Conclusion

In the interview of the puffer fish in the screenwriter, there are two different voices: one type of screenwriter thinks that the fan position has nothing to do with the screenwriter. It is a purpose for the purpose of propaganda, based on the influence of the actor, and the contract is The quasi-signature problem; another type of screenwriter believes that the ideal state of the position is that the character is in accordance with the actual weight in the script – these two views are actually between “reality” and “ideal” contradiction.

And for several situations that often cause fans to argue about Fan-related issues, it is difficult for writers to give a unified, indiscriminate answer. After all, the creation of the story should not be limited, including what type. The play has several protagonists, how to judge the limits of the protagonist.

But the writers are equally worried about the ethos of over-emphasizing the position and even the position. In Wu Yao’s view, the precise role ordering in addition to the division of the protagonist and supporting role is actually a business logic or marketing logic, “it is anti-art”; Jia Dongyan said that the dispute is like The new round of capital gameplay is not fundamentally different from fake data and hits. It is only deceiving the capital market, and viewers and film and television practitioners do not care.

Xu Su said, “The behavior of fans in the early stage of tearing up may cause some pressure on the actors’ creations and their own emotions, or some unnecessary interference in the choice of some opportunities; The position may affect the rhythm of the entire promotion.”

In fact, the fans tore or not to tear up the position, the number is there, just like an exam will always have the first and last, the results of the exam will not change because of the aftermath of the aftermath; and the fans want The “Tattoo Basic Law” that is required, even if it is aside from the special nature of the contract, it is difficult to give an answer from the script level alone. Since it is impossible to rely on, it is better not to tear it up.