“Gemini Killer” is a costly gamble, gamble the future of movie technology
Editor’s note: This article is from the micro-channel public number “ prism ” (ID: lengjing_qqfinance), author Li Ran, Zhang Qingning editor.
Lee An
“I am still a little scared now.”
Ao An’s battle is a little nervous. In late August, a group of Hollywood reporters were invited to the studio of Paramount to watch a fragment of his new film. In the face of this group of tasteful and discerning audience, he has no bottom in his heart.
Melee, gun battle, chase car, explosion… The 20-minute episode shocked the visitors. What surprised them was not how gorgeous the action scene was, but an unprecedented visual experience: everything is close at hand, and the real thing is within reach.
This is Li An’s new film “Gemini Killer”, which uses the most advanced image specifications: 120 frames, 4K, 3D. Simply put, under such specifications, the clarity of a movie is four times that of a normal movie, and the fluency is five times. With the stereoscopic effect of 3D, it is closer to the reality seen by the human eye.
In popular terms, this is a VR movie.
But Ang Lee is clear: as long as one of the shots is wrong, the audience will play. He has led a technical team of 500 people and has been busy for two years. No one can take it lightly when it is not released.
This year, 65 years old, he is no longer the one who filmed “Crouching Tiger, Hidden Dragon”, “Broken Mountain”, “Lust Caution”.
In the past ten years, the director of the Oscar, Golden Bear, and Golden Lion has changed to become a person, and the most advanced image technology in the film industry has been on the bar: “The Fantasy Drifting of the Boys” first tasted 3D. “Billy Lynn’s midfield battle” experienced an unprecedented 120 frames, this “Gemini Killer” has to use the most advanced special effects, finished