The article is from the public number: Network Entertainment Watch (ID: wldygc2016) , author: Ai Muzi, the original title: “ Tang Wei is dressed as a” village “and Li Randi is fat as a” fuwa “. What’s wrong with the costume drama modeling? “, title Picture from: TV series “Bright Ming Fenghua”.
At the end of 2019, “Qing Yu Nian”, “Crane and Crane Pavilion”, “Bright Ming Dynasty”, and “Dream Back to Qing” are four-point costume drama world.
On the twists and turns of the plot, “Qing Yu Nian” and “Crane Pavilion” have a slight upper hand; on majestic momentum, “Bright Ming Feng Hua” is not to be outdone; on the topic, all four are regulars on the hot search list.
But at a time when the audience is obsessed with Fan Xian’s cleverness and insidiousness, Xiao Dingquan’s backs and enemies, Zhu Zhanji’s Wen Tao Wu Lue, and Aixinjueluo Xiangxiang’s affectionate models, the female characters in these plays— —Song Ruowei (Tang Wei) in “Bright Ming Dynasty”, Princess Long (Li Xiaoran) in “Yu Qingnian”, and Wei Wei (Li Landi) in “Dream of the Dream”, but because of the ugly appearance, they first “completed” the drama KPI.
Looking at the long history of costume dramas, from the early adaptation of Jin Yong Gulong to the mid-term “Biography of Zhen Zhe”, “Biography of Chu Qiao”, “Langyao Bang”, and “East Palace” and “Chang’an 12” It is not difficult to see that popular costume dramas such as The Chronicle is one of the important factors that determine the success or failure of the drama.
We all understand the reason, so why are costume costumes in the past few years still frequently appearing “ugly”?
Tang Wei Zhou Xun’s altar, only one “Zhang combing”?
“There are ugly ancients every year, especially this year.”
If you want to rank the ugly looks of several current costume dramas, Tang Wei is probably the best.
Before Da Ming Feng Hua, most of Tang Wei ’s film and television images were a breeze, unblemished, with a soft and refreshing pride.
And when she became Sun Ruowei in Da Ming Feng Hua, she bundled her buns, exquisite hair accessories, noble expression, and a tightly rounded scalp under her scalp, a plump face never seen before; In the post, it is in the same frame as Zhu Yawen. Although it is playful, it is difficult to call it smart …
Even if she was a girl, she could not save the image of Tang Wei’s goddess, especially the hair hanging from the sides of the horns, and the hair tied and tied with the top of the head could not be “loved and loved”. Instead, the bangs became incompatible with the whole.
At this point, many people must have guessed that the stylist of “Bright Ming Fenghua”-Zhang Shuping, who “flattened” everything.
After all, the same style of bangs has also had names in the costume dramas such as “Three Life, Three Miles and Ten Miles of Peach Blossom”, “Xi Xiyuan”, and “Song of Fire”.
In fact, when talking about costume style, Zhang Shuping is regarded as a master.
The former “Green Snake”, “Undefeated Oriental”, “Ghost Girl Ghost” … these costume films that revealed the immortality of Hong Kong-style actresses in the 1990s also made Zhang Shuping’s reputation and once became the official use of Lin Qingxia Stylist.
But After switching to the mainland in recent years, Zhang Shuping was still “Zhang Comping”, which once made the audience stupid.
In the “Three Lives, Three Miles and Ten Miles of Peach Blossoms”, the voice of the voice of Yang Mi, who tweeted on the Weibo, and the dilireba and Zhou Yumin whose hair was flat to reflective in “Songs of Fire”; In the book, which makes Zhou Xun slightly old-fashioned and sticks to the bangs, and now it is “Bright Ming Fenghua” that reveals Tang Wei’s facial shortcomings …
The effect is obvious. Mass production under a single fixed style makes it difficult for costume drama characters to truly have a unique charm.
It is good for stylists to form stylized labels aesthetically, but it can also cause trouble if they are misapplied to different people.
For example, in the “Ying Yu Nian”, the characters were also lowered by the spit shape, and Li Xiaoran, who played the long princess Li Yunrui.
As an overhead costume drama of the era, in terms of styling, Qing Yu Nian actually has more room to play.
Thus, the stylist Chen Tongxun of the play, following the style of the “light costume” of the previous “Yun Xi Zhuan”, created a lazy Qing Emperor wearing a nightgown and a non-mainstream bang. And the black-bellied alpaca prince.
But the same idea applies to the princess Li Yunrui. The immobile iron bangs seem to be separated from the character at any time. Although the character has a villain setting with a nearly crazy character, it is still difficult to accept.
If it wasn’t for Li Xiaoran’s own temperament, I’m afraid no one could save Li Yunrui, who was obliterated by the shape in the audience.
However, Stylist is on the one hand. From the perspective of actors, it is also true that some actors do not have a costume face.
Take hairstyle alone as an example. In most costumes, most female characters after marriage need to curl their hair and show their foreheads. They have extremely high requirements for the actors’ facial features and facial features. At a large level, different dynasties have different aesthetics, which also requires that costume actors can fully understand the environmental impact of characters in the background story, so as to better interpret the characters with their shapes.
Taking “Dream Back to the Qing” as an example, Li Landi showed both ancient costumes and modern costumes in the play at the same time. Although the Qing Dynasty looks bloated, the modern costume of Li Landi is still smart and cute.
Small-cost dramas are difficult to support, and large-cost dramas are difficult to resonate.
To make the costumes fit the historical structure and be truly pleasing to the eye, on the one hand, it will cost a lot of money, and on the other hand, you need to work hard to spread the culture, so that the audience can understand and resonate with the style.
Yu Zheng once revealed in the variety show that when shooting “Yanxi Raiders”, handmade velvet hair accessories, a price of about 6,000 yuan; Dian Cui, often used on the head of the concubine in the ancient harem, was even more positive Collected from various places, the price of one is around 3,000 yuan.