This article is from WeChat official account:Urban Evolution (ID: urban_evolution) , author: abandoned Yang Fei, head – source: “thirty only.”
The recently hit “Thirty Only” has once again ignited people’s enthusiasm for discussions between the “Hu Piao” group and the city of Shanghai.
Some netizens said that this drama is like three parallel “Shanghai Women’s Illustrated Books”. The mansion with river view on the North Bund in front of the Oriental Pearl Tower is an infinite reverie of Shanghai’s urban life. With high housing prices, the dilemma of different rental houses represents the sadness of the “Shanghai drift”.
The landmarks, Shanghainese and Shanghainese scattered throughout the play all strengthen the urban background set by the story.
Interestingly, the “Suzhou Release” WeChat official account started the “Holmes” mode of the drama, carefully sorting out the Suzhou elements in the drama, and letting the Shanghai background reveal the “Made in Suzhou” mode.
The subway the hostess took to and from get off work was actually Suzhou Metro Line 3
“Suzhou Release” also concluded, “I look forward to Suzhou’s continued ‘dominant’ big screen and small screen, because the beauty of Suzhou is worth discovering by more people!”
On this side, Suzhou is trying hard to seize the urban publicity opportunities brought by a traffic drama; on the other side, Shanghai has put on a posture of “rejection of strength”.
The most typical example is the evaluation given by the Shanghai local media Shangguan News: “The scenery is the scenery of Shanghai, but I don’t think it is Shanghai.”
“Except for the city scenery as the background, these stories can be established in any city, without the unique temperament of this city.”
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