The position is far inferior to the Russell brothers and Wen Ziren, but he is definitely the most appealing foreign director for Chinese fans in the past decade. The Russell brothers have a Marvel face, Wen Ziren travels between Yin and Yang, and Nolan is Nolan, only representing himself.
The “creed” that commented on the lifting of the ban is still incomprehensible. “Hollywood Report” first kneeled in respect: “In order to write this film review, I watched the movie twice. But I still don’t know what to do and why to do it.”
Really, whenever Nolan’s film is released, it is often a phenomenon-level discussion that is more eye-catching than the box office: “Shards of Memory” is repeatedly scrutinized for the ending, whether the Dara of “Inception” has fallen, “Interstellar” is right An explanation of the mechanics of love. Nolan’s puzzle movies have formed a viewing experience that combines high-level intellectual cognition and strong perceptual aesthetics in the hearts of movie fans.
Perhaps Nolan’s movies are still difficult to understand, but the “Nolan phenomenon” is by no means obscure. His cutting-edge author style and his in-depth grasp of young audiences have created a unique cultural symbiosis between “puzzle maker & puzzle lover”.
the labyrinth of narrative
“I am Christopher Nolan, a typical Englishman. Like my predecessor Hitchcock, I am not only a director, but also a person with whimsical ability.” By Hitchcock and Ridley Influenced by Scott, little fan Nolan started his earliest film creation at the age of 7.
He used his father’s Super Eight Camera to photograph his toy soldiers. While studying English literature in the university, he organized a “16mm” club with his classmates and shot a lot of short films. He not only admired Tolstoy’s description, but also admired the principle of defamiliarization. I also recognized Graham Swift’s “Water Country” and felt that the narrative sequence does not need to follow time.