References:
[1] The Mood for Love (Film), Wang Jiawei, 2000;
[2] Do n’t come unharmed, safe and sound, Oriental Publishing House;
[3] The Secret of Hong Kong Films, David Boulder, Hainan Publishing House;
[4] Tak Wing Chan, ‘Intergenerational Social Mobility in Hong Kong’, Occasional Paper No.45, Hong Kong Institute of Asia-Pacific Studies, The Chinese University of Hong Kong ;
[5] 1971 Hong Kong Annual Report, Hong Kong Government, Hong Kong: Tiantian Daily Co., Ltd.;
[6] Immigration film and Hong Kong ’s identity expression and its dilemma, Xu Yong, film art;
[7] Research on New Immigrant Novels, Ni Liqiu, Shanghai Jiaotong University Press;
[8] Eastern and Western movies, Wei Shiyu, Hong Kong City University Press;
[9] The City Without Lords, Chen Jiale, Zhu Li, Tiandi Books;
[10] Hong Kong has me, Langtian, Cultural Workshop;
[11] Borrowed time, Wang Haiwei, Baihua Literature and Art Publishing House;
[12] Hong Kong New Wave Movie, Zhuo Botang, Fudan University Press.